
The Publisher
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Sep 29, 2008, 1:38 PM
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Morning Light movie review
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MORNING LIGHT: “IT’S ABOUT THE JOURNEY” The much anticipated “Morning Light” film has been making headlines since the call for applications was made in the spring of 2006, and the plan was hatched to document a team of young sailors in their quest to compete in the Los Angeles to Hawaii 2007 Transpac Race. The movie is readying to be released nationwide on October 17, but Scuttlebutt was fortunate to see it this past weekend at the very first theatre showing during the San Diego Film Festival (yea, how many other ‘buttheads went to a film festival this weekend?). For the avid Scuttlebutt readers, this film has two strikes against it. First, we have heard a lot about it, and hype can be a double edged sword. Second, we know how it ends. Also, this is not a movie… it is a documentary. If you are expecting the next “WIND” (which made the ‘womper’ famous in 1987), forget it. The good news is that none of these issues matter, because they have nothing to do with the focus of the movie. When Producer Roy Disney was asked about the movie’s concept, he replied, “It’s about the journey. We’re not making a film about sailboat racing and we’re not making a film about a boat. It’s a story about a group of young adults sailing across an ocean, the obstacles they encounter and the bonds they form. It’s a story about becoming more than the sum of the parts.” What the movie succeeds in doing is telling a real story, as it happens, without falsifying the facts, and without trick editing (for the most part) to form the images around a pre-determined plan. While some of the early dialogue felt stiff and overly scripted, it is all well-intended to bring the viewer onboard, and to better understand the experience occurring. Additionally, the presence of cameras and artificial settings are near nil, which contributes to the realism. The music is well-placed, contemporary, and augments the movie pacing. This film is not a hyped up Warren Miller ski movie that takes his kamikaze ski team to the sweetest slopes in the world. This is a 90 minute ride to Hawaii, which for the participants, took just over a year. The 15 people selected to crew on the boat, all under 23 years old, are likeable, and it is interesting to see which ones emerge as the leaders, and which ones have personalities to fill the big screen. Their dialogue during the race is engaging, and their decision making is revealing and informative. As Disney points out, they are the focus of the film, and the film captures their highs and lows, points out their mistakes, and shares their emotions. Co-navigator Piet van Os notes, “Think about what you like to do the most, and then be given the opportunity to do it for a year, with the best coaches and support possible.” For the crew who had put their lives on hold for a year, the finish line of the movie became extremely symbolic for the end of their journey, but also the beginning of their new lives. The movie seems to shoot down the middle, never too complicated and never too dumbed down. It provides great insight into offshore racing, particularly the ins and outs of doing the Transpac race that relies so heavily on the Pacific High weather system for making tactical decisions. The winds were light for this race, and while it might have been nice to see some bow plunging, white knuckle moments, the drama of the drifter was portrayed equally well. It will be interesting to hear how non-yachties see the film. I think they will enjoy it, and have a better understanding for what is needed to sail a 52-foot boat, and for how the game of distance racing is played. The sport of sailing is always referred to as a life sport, one that can be done for a lifetime. For those that have played the game, they realize that it is also about the people and the shared experiences. As van Os reflects, now over a year after crossing the finish line, he still remains close with his teammates, and figures that won’t be changing anytime soon. - Craig Leweck, Scuttlebutt
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